SEATTLE FAITH LUTHERAN
CHURCH
· 8208 - 18th Avenue NE
(206) 523-9636 www.faithseattle.org
Thursdays at 7:30 PM
Suggested
Donation:
$20 or $25
(a free will offering - everyone
welcome)
•
18
and under FREE • SSEMF
presents outstanding early chamber music in
Seattle thanks to your support.
The
Salish
Sea Early Music Festival is proud to be
an affiliate organization of Early Music
America, which develops, strengthens,
and celebrates early music and
historically informed performance in
North America.
The Salish Sea Early Music Festival is a
501(c)3 organization and all donations
are fully tax deductible in accordance
with the law. Your donations are
welcomed at
https://www.salishseafestival.org/donate
.
✣
With special thanks
✣ to
Faith Lutheran Church
2023 Salish Sea Early Music Festival in Seattle ~
Period Instrument chamber music from six centuries in
Seattle and around the Salish Sea ~
✣
✣
✣Thursday,
JUNE 22, 2023 at 7:30 in SEATTLE ✣
✣
✣
CANZONAS Trios,
Duos
and Solos Anna
Marsh
~ dulcian (renaissance bassoon)
John Lenti ~ theorbo
Jeffrey Cohan ~ renaissance flute
A
most unusual and extensive exploration
of the fabric of early 17th-century life
in Italy (mostly) through the
perspective of the dulcian, the theorbo
and renaissance lute, and the
renaissance flute ... and their players.
The
program includes a solo lute Fantasia
by Giovanni
Battista
Dalla Gostena (1540-1593), a
Canzona (1636) by Giovanni
Battista
Buonamente (c1595–1642), a Sonata
as well as Cantantibus organis
by Giovanni
Paolo Cima (c1570–1630) from his
Concerti Ecclesiastici (Milan
1610), five wonderful canzonas by Tarquinio
Merula (1594/5-1665) from his
Opus 12 (1637) and Opus 17 (1651), a Fantasia
for dulcian solo as well as divisions on Vestiva
e colli for flute and dulcian, both
published in 1638 by Bartolomé
de Selma y Salaverde
(~1595-1638), diminutions
byGirolamo
Dalla Casaon Petit
Jacquet after the chanson by jean
Courtois
for flute and lute, aSonata Concertante by Dario
Castello(1602-1631)
from 1631, and two duos for flute and
dulcian: Beaux yeux by Jan
Pieterszoon Sweelinck (1562-1621)
and a setting of Le rossignol
plaisant & gratieux by Didier
le blanc.
Fantasia
11 by Giovanni Bassano (1585)
January 11, 2021
-
- - - - - - Earlier this season: - - - - - - -
✣
✣
✣Tuesday, MAY
2, 2023 in SEATTLE ✣
✣
✣
LIEDER RECITAL: HAYDN &
SCHUBERT
Maike Albrecht ~ soprano
Hans-Jurgen Schnoor~ piano
✣
MAY 2 at 7:30 PM: Seattle
✣
Faith Lutheran Church at 8208 - 18th Avenue NE inn
Seattle (206) 523-9636
modern piano • suggested donation $20 or
$25
✣
also: MAY 3 at 7:00 PM: La
Conner ✣
Skagit Historical Keyboard Museum in La Conner.
RSVP: Please reserve tickets by writing to
salishseafestival@aol.com
On three historical pianos • in
addition 4 songs by Johannes Brahms will be
performed
suggested donation $20 or $25
Joseph
Haydn
(1732 – 1809
Three English Canzonettas: The
Mermaid‘s Song (Anne Hunter) Fidelity (Anne Hunter) She never told her love (Shakespeare)
& Cantata „Arianna à Naxos“
Haydn's three English Songs are chosen from
two sets of English Canzonettas, published in
London in 1794/95, which were vastly popular
in the drawing rooms of Haydn‘s audience.
„Arianna à Naxos“ was a great
musical hit in London in 1791 and achieved
wide popularity all over the continent. The
London Morning Chronicle of February 23 noted:
„The Musical World is at this moment
enraptured with a Composition which Haydn has
brought forth… Nothing is talked of – nothing
sought after but Haydn‘s Cantata… It abounds
with such a variety of dramatic modulations –
and is so exquisitely captivating in its
larmoyant passages, that it touched and
dissolved the audience… Haydn‘s Cantata will
accordingly be the musical desideratum of the
winter.“
Franz
Schubert
(1797 – 1828) Auf
dem See (Goethe) Auf dem Wasser zu singen (Friedrich
Graf Stolberg) Die Mutter Erde (Stolberg) Bertha‘s Lied in der Nacht (Franz
Grillparzer) Im Walde (Friedrich Schlegel) Suleikas erster Gesang Suleikas zweiter Gesang (Marianne von
Willemer from Goethe „West-östlicher Divan“)
Inspired by our natural wonder around the
Salish Sea, Albrecht and Schnoor have
assembled a set of „Scenic Songs“ by Schubert,
focusing on songs about nature‘s phenomena:
water, earth, night and wind in correspondence
with our inner lives. This correlation between
our surroundings and our emotions is one of
the major themes in German Romantic poetry
since Goethe.)
✣
✣
✣MAY 11, 2023
in SEATTLE ✣
✣
✣
Giovanni
Bellini's Nunc dimittis, or the Song of Simeon,
which
is also reflected in Johann Sebastian Bach cantata
Ich habe genug
• Thursday,
May
11, 2023 at 7:30 PM
• BACH
CANTATA: ICH HABE GENUG Maike
Albrecht ~ soprano
Hans-Jurgen Schnoor~ harpsichord
Jeffrey Cohan ~ baroque flute
Soprano
Maike Albrecht and harpsichordist Hans-Jürgen
Schnoor from Lubeck, Germany join baroque
flutist Jeffrey Cohan in Johann Sebastian
Bach’s cantata Ich habe genug and other works
The
church cantata Ich habe genug ("I am
content"), BWV 82 was composed in Leipzig in
1727 for the feast Purification of Mary and is
one of the most often performed and recorded
of Bach's sacred cantatas. In this cantata,
based on the Song of Simeon, Bach projects a
feeling of serene contentedness with life and
an expression of the experience of body and
soul coming to rest and in complete harmony
beyond anything that words alone can convey.
~
updated June 11, 2023
~ Suggested Donation
for all concerts:
$20 or $25
(a free will offering - everyone welcome)
• 18 and under FREE •
Do you receive our email announcements and
flyers?!
Please sign our MAILING LIST (please specify Bellingham)
by sending your
address and any other comments to salishseafestival@aol.com
~ thank you!
SSEMF
banner: detail from "The
Last Time it Reached Zero"
by James
C. Holl. SSEMF presents
outstanding early
chamber music
on period instruments thanks
to your support.
