2025 Whidbey Island Salish Sea Early Music Festival

Whidbey Island's Salish Sea Early Music Festival

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WHIDBEY ISLAND

WHIDBEY ISLAND UNITARIAN UNIVERSALIST CONGREGATION
20103 State Route 525
in Freeland on Whidbey Island

WIUUC

Suggested Donation:
$20 to $30
(a free will offering - everyone welcome)
• 18 and under FREE •

sanctuary at WIUUC

SSEMF presents outstanding
early chamber music on Whidbey Island
thanks to your support.

Early Music Ammerica

The Salish Sea Early Music Festival is proud to be an affiliate organization of Early Music America, which develops, strengthens, and celebrates early music and historically informed performance in North America.

The Salish Sea Early Music Festival is a 501(c)3 organization and all donations are fully tax deductible in accordance with the law. Your donations are welcomed at https://www.salishseafestival.org/donate .

✣ With special thanks ✣
to the WI Unitarian Universalist Church

2025 Salish Sea Early Music Festival on Whidbey Island
~ Period Instrument chamber music from six centuries on Whidbey Island and around the Salish Sea ~

~ Presented in collaboration with the Unitarian Universalist Congregation of Whidbey Island ~

~ Please check back soon for specific Whidbey Island dates! ~

~ 2025 Tentative Schedule ~

January 14-26: — THE CANZONA
   · Vicki Boeckman, renaissance recorders
   · Tina Chancey, tenor viol
   · Jeffrey Cohan, renaissance transverse flutes
   · Anna Marsh, dulcian (renaissance bassoon)
          An entirely new program exploring the birth and development of the transitional Canzona, as it was inspired by early 16th-century chansons and evolved into the early 17th-century baroque sonata and suite. Featuring special guest renaissance specialist and innovative improviser Tina Chancey from Hesperus in Washington, DC.

February 17 - March 2: — THE CHACONNE
   · Susie Napper, viola da gamba & treble viol
   · Mélisande Corriveau, viola da gamba & pardessus de viol
   · Elisabeth Wright, harpsichord
   · Jeffrey Cohan, baroque and renaissance flutes
          Les Voix humaines, the widely celebrated prize-winning duo of viols from Montreal joins us for a program centering on the chaconne of the late 17th century but extending from the early 17th century through Johann Sebastian Bach.

March 5-13: — TRIO SONATAS
   · Bernward Lohr, harpsichord
   · Anne Röhrig, violin
   · Susie Napper, viola da gamba
   · Jeffrey Cohan, baroque flute
          Trio sonata mastierpieces by Georg Philipp Telemann, Louis-Gabriel Guillemain and Jean Baptiste Quentin le jeune with our Musica Alta Ripa friends from Hannover.

March 27-30: — HARPSICHORD MYSTERY
· Elena Zhukova, harpsichord
The Ukrainian harpsichordist deciphers mysterious and elusive rarities as well as standards for solo harpsichord by Byrd, Couperin, Rameau and Scarlatti alongside Ukrainian gems including a harpsichord sonata by Dmitry Bortnyansky. [only in certain locations]

March 27-April 17: — EUROPEAN TOUR 1690-1790
   · Elena Zhukova, harpsichord
   · Jeffrey Cohan, baroque flute
          An excursion through a century of transformation and diversity by decade and culture within the baroque and classical periods, through the perspective of composers for harpsichord and flute from France, Italy, Scotland, Germany and Ukraine.

April 28-May 8: — The MUSIQUE DE LA CHAMBRE of LOUIS XIV
   · Caroline Nicolas, viola da gamba
   · William Simms, theorbo & baroque guitar
   · Jeffrey Cohan, baroque and renaissance flutes
          The SUn King's court musical establishment is to be represented by Jean-Baptiste Lully, Élisabeth Jacquet de La Guerre, Marin Marais, Jacques Hotteterre, etc., including music designated for the king's bedtime, evening concerts and banquets, with our special guests from New York and Baltimore.

May 13-26: — CONCERTI from the COURT of FREDERICK THE GREAT
   · David Schrader, harpsichord
   · Jeffrey Cohan, baroque flute
   · Elizabeth Phelps, baroque violin
   · Courtney Kuroda, baroque violin
   · Lindsey Strand-Polyak, baroque viola
          A completely new assortment of concerti for harpsichord and flute from the illustrious members of the musical establishment of flutist Frederick the Great, King of Prussia, including Carl Philipp Emanuel Bach, Johann Joachim Quantz, and Frederick himself.

June 3-12: — BEETHOVEN'S FLUTE, VIOLA & GUITAR
   · Elizabeth Blumenstock, viola
   · Oleg TImofeyev, 7-string guitar (Moscow, 1820)
   · Jeffrey Cohan, 8-keyed flute (London, 1820)
          Repertoire abounds for this popular ensemble of guitar, viola and flute during Beethoven's time. With outstanding violinist and violist Elizabeth Blumenstock.

July 7-9: — THE 18TH-CENTURY HARPSICHORD IN SPAIN
   · Irene Roldàn, harpsichord
          Step into the heart of 18th-century Iberia, where the vibrant court of Madrid stood as a focal point for the flourishing of the rich keyboard music of Domenico Scarlatti, Sebastian de Albero, Jose de Nebra, and the Portuguese Carlos Seixas. [only in certain locations]

July 10-21: — JOHANN SEBASTIAN BACH
   · Irene Roldàn, harpsichord
   · Jeffrey Cohan, baroque flute
          Spanish harpsichordist Irene Roldàn from Basel and Jeffrey interpret Bach's phenomenal music for flute and harpsichord.

~ Earlier concerts this past 2024 season ~

✣ ✣ ✣ Sunday, JANUARY 21, 2024 at 7:30 PM in Freeland in Whidbey Island ✣ ✣ ✣

THREE CENTURIES:

GUITAR, THEORBO & FLUTE

Michael Freimuth

~ renaissance guitar & theorbo ~

Jeffrey Cohan

~ renaissance & baroque flutes ~

16th Century

Diego Ortiz • William Byrd

Giovanni Bassano

Girolamo Dalla Casa

17th Century

Giovanni Paulo Cima

Girolamo Frescobaldi

Giovanni Battista Fontana

Giovanni Battista Buonamenti

Bartolomé de Selma y Salaverde

18th Century

Arcangelo Corelli • André Chéron

Robert de Visée

Join us for the opening 2024 Salish Sea Early Music Festival and an unusual and expansive journey through the music for guitar, lute and flute of the 16th, 17th and 18th centuries, including elaborate jazzed-up versions of well known songs of the time, published by the incredible wind instrument virtuosi of the late 16th century, along with canzonas, sonatas and suites from Spain, Italy, England and France. The instruments include the renaissance guitar, which is considerably smaller and more mellow-toned than its modern descendant, theorbo (an extremely long-necked lute), the one-piece cylindrical renaissance flute along with the bass renaissance flute, and the one-keyed baroque flute.

✣ ✣ ✣ Sunday, February 18, 2024 at 7:30 pm on Whidbey ✣ ✣ ✣

SIMPHONIE NOUVELLE:

LOUIS XIV & J.S. BACH

Stephen Stubbs

~ baroque guitar ~

Susie Napper

~ viola da gamba ~

Jeffrey Cohan

~ baroque flute ~

guitarists

Diego Francesco Corbetta (1615-1681)
Robert De Visée (c.1655-1733)
viola da gambists

Monsieur de Sainte Colombe (c.1640-c.1700)
Marin Marais (1656-1728)
Jacques Morel (c.1680-c.1740)
flutist

Michel de la Barre (c.1675-1745)
composers

Élisabeth Claude Jacquet de la Guerre (1665-1729)
François Couperin (1668-1733)
Johann Sebastian Bach (1685-1750)

Louis XIV gathered the finest musicians of France at his court in Versailles and this program features many of the late 17th and early 18th-century guitarists, viola da gambists, flutists and other composers associated with his illustrious musical establishment, alongside the Sonata in E Minor, BWV 1034 of Johann Sebastian Bach.

✣ ✣ ✣ Sunday, March 3, 2024 at 7:30 pm on Whidbey ✣ ✣ ✣ Renaissance flute and lute

GEORG PHILIPP TELEMANN:

PARIS QUARTETS

David Greenberg

~ baroque violin ~

Elisabeth Wright

~ harpsichord ~

Susie Napper

~ viola da gamba ~

Jeffrey Cohan

~ baroque flute ~

Quadri a violino, flauto traversiere, viola da gamba

o violoncello, e fondamento (1730):

Concerto II in D Major

Sonata II in G Minor

Nouveaux quatuors en six suites (1738):

Premier Quatuor in D Major
4e. Quatuor in B Minor

Having been invited by several of the most prominent French musicians to visit Paris, Telemann composed and published the first set of his remarkable "Paris Quartets" in 1730, and left Hamburg for Paris seven years later, where all 12 of the quartets were performed, almost surely with Teleman himself on the harpsichord. The second set of quartets was published in Paris during this visit in 1738. Two years later Telemann related the following:

"The admirable performances of these quartets by Messrs Blavet (transverse flute), Guignon (violin), the younger Forcroy [i.e. Forqueray] (viola da gamba) and Edouard (cello) would be worth describing were it possible for words to be found to do them justice. In short, they won the attention of the ears of the court and the town, and procured for me in a very little time an almost universal renown and increased esteem."

✣ ✣ ✣ Sunday, March 24, 2024 at 7:30 PM on Whidbey Island ✣ ✣ ✣ Haydn

FRANZ JOSEPH HAYDN

TRIOS

Jeffrey Cohan

~ 8-keyed flute ~

Lindsey Strand-Polyak

~ baroque violin ~

Martin Bonham

~ baroque cello ~

Franz Joseph Haydn

Wolfgang Amadeus Mozart

Franz Anton Hoffmeister

François Devienne

As the most celebrated composer in all of Europe for much of his career, Franz Joseph Haydn (1732-1809) was Mozart’s mentor and friend as well as Beethoven’s tutor. The program will include three trios for flute, violin and cello by Haydn, selections from a 1795 arrangement for these instruments of Mozart’s opera “The Magic Flute”, and a trio by Franz Anton Hoffmeister, a friend of Haydn, Mozart and Beethoven who published music by all three.

✣ ✣ ✣ Sunday, APRIL 7, 2024 at 7:30 in Freeland ✣ ✣ ✣ Arwen Myers

Myers">

SPRINGTIME BAROQUE:

AIRS for SPRING

Arwen Myers

~ soprano ~

Elisabeth Wright

~ harpsichord ~

Jeffrey Cohan

~ baroque flute ~

Johann Sebastin Bach

Seele, deine Spätzereien

(from the Easter Oratorio)

Louis-Nicolas Clérambault

Orphée

(Cantata)

George Frideric Handel

Singe, Seele & Flammende Rose

(from 9 German Arias)

Toussaint Bordet

Recueil D'Airs Avec Accompagnement de Flute

(selections)

Francois Couperin

Les Fauvétes Plaintives & La Linote-éfarouchée

(harpsichord solo)

✣ ✣ ✣ Sunday, May 5, 2024 at 7:30 PM in Freeland ✣ ✣ ✣

RENAISSANCE PSALMS,

IRISH BAROQUE & FOLK

Oleg TImofeyev

renaissance lute, English guitar

& 7-string guitar (1820)

Jeffrey Cohan

renaissance & baroque flutes

& 8-keyed flute (1820)

17th Century

Nicolas Vallet

Jacob Van Eyck

Girolamo Dalla Casa

18th Century

James Oswald

Francesco Barsanti

Turlough O'Carolan

19th Century

Mauro Giuliani

Louis Drouet

Charles Nicholson

This program, in three parts, opens with settings of Psalms and variations on folk melodies by early 17th-century flutist Jacob Van Eyck, lutenist Nicolas Vallet and others performed on renaissance descant, tenor and bass transverse flutes and lute. Then, baroque flute and the rare but once quite popular wire-strung English Guitar of the 18th century is to be heard performing the folk tunes of Scotland and Ireland as interpreted and varied by the early 18th-century composers Francesco Barsanti, Turlough O'Carolan, James Oswald and others. Finally, an Eastern European 7-string guitar made in 1820 in Russia alongside an eight-keyed flute made in London in the same year bring to life variations on popular tunes by Mauro Giuliani, Louis Drouet, Charles Nicholson and other virtuoso flutists and guitarists of Beethoven’s day.

✣ ✣ ✣ Sunday, May 26, 2024 at 7:30 PM in Freeland ✣ ✣ ✣ Renaissance flute and lute

BAROQUE CONCERTI

Carrie Krause

~ baroque violin ~

Jonathan Oddie

~ harpsichord ~

Jeffrey Cohan

~ baroque flute ~
Elizabeth Phelps & Courtney Kuroda

~ baroque violin ~

Victoria Gunn

~ baroque viola ~

Martin Bonham

~ baroque cello ~

JACQUES AUBERT

Concerto in D Major, Opus 26 No. 3

ANTONIO VIVALDI

Flute Concerto "La Notte", Opus 10 No. 2

CARL PHILIPP EMANUEL BACH

Flute Concerti in D Minor, Wq 22a

JOHANN SEBASTIAN BACH
Triple Concerto in A Minor for Harpsichord, Violin and Flute, BWV 1044

✣ ✣ Sunday eve, June 30, 2024 at 7:30 PM at WIUUC in Freeland ✣ ✣

Johann Sebastian

BACH

Faythe Vollrath

~ harpsichord ~

Jeffrey Cohan

~ baroque flute ~

Harpsichordist Faythe Vollrath from Sacramento, CA will join baroque flutist Jeffrey Cohan for this mostly-Bach extravaganza in the eighth and final 2024 Salish Sea Early Music Festival performance demonstrating the unparalleled mystery and emotional intensity of Bach’s compositional abilities, featuring transcriptions of his works originally for viola da gamba and another for violin, both with obbligato (or fully written-out) harpsichord in addition to sonatas originally written for flute by Bach both with continuo (a bass line with numbers denoting harmonies from which the harpsichordist improvises) and with obbligato harpsichord. Faythe Vollrath will play variations for solo harpsichord by Johann Adam Reinken (1643-1722) on the popular German folk tune “Schweiget mir von Weibernehmen” (‘shush, no more talk about womanizing”). Reinken was greatly admired by Bach, who made arrangements of several of his works.

Fantasia 11 by Giovanni Bassano (1585)
January 11, 2021

~ updated November 5, 2024 ~
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SSEMF banner: detail from "The Last Time it Reached Zero" by James C. Holl.
baroque flute

SSEMF presents outstanding early chamber music
on period instruments thanks to your support.