Salish Sea Early Music Festival
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WHIDBEY ISLAND

ST. AUGUSTINE'S in the WOODS EPISCOPAL CHURCH

5217 South Honeymoon Bay Road
 Freeland (360) 331-4887

staugustinesepiscopalchurch.org


~ all concerts at 7:00 PM ~

St. Augustine's Episcopal Church

Suggested Donation:
$15, $20 or $25
(a free will offering - everyone welcome)
•  18 and under FREE  •

St. Augustine's

SSEMF presents outstanding
early chamber music on Whidbey Island
thanks to your support.
All donations are fully tax-deductible


2018 Salish Sea Early Music Festival on Whidbey Island
~ Period Instrument chamber music from six centuries on Whidbey Island and around the Salish Sea ~

Susie Napper
  • Sunday, April 15, 2018 at 7:00 PM
SONGS WITHOUT WORDS 1550-1750
Susie Napper ~ viola da gamba
Jeffrey Cohan ~ renaissance and baroque flutes


An intimate tribute to the power of song as rendered instrumentally: renaissance two-part settings of 16th-century French songs, virtuoso diminutions on Palestrina's beautiful madrigal Vestiva e colli, selections from Cima's Concerti Ecclesiastici, exquisite airs de cour from the time of Louis XIII and Louis XIV and favorite Scottish and Irish airs as rendered by 18th-century insrumentalists. Also music by Johann Sebastian Bach, James Oswald and Georg Friderick Handel.

Carrie Krause



   • Saturday, May 19, 2018 at 7:00 PM
THE CAPABLE VIRTUOSO
Carrie Krause ~ baroque violin
John Lenti ~ theorbo & baroque guitar
Jeffrey Cohan ~ baroque flute


Johann Mattheson's "The Capable Virtuoso", published in Hamburg in 1720, sets the tone for this program of trio sonatas inspired by Corelli and the idea that Italian, French, and German styles might be fused in an integrated musical style.

Jeffrey CohanCarrie Krause, violin
• Saturday, May 26, 2018
at 7:00 PM
BACH's BRANDENBURG CONCERTO
Carrie Krause ~ baroque violin
Jeffrey Cohan ~ baroque flute
Jonathan Oddie ~ harpsichord
Courtney Kuroda ~ baroque violin
Stephen Creswell ~ baroque viola
Anna Marsh ~ baroque bassoon


The 5th Brandenburg Concerto by Johann Sebastian Bach and other works for flute, violin, harpsichord and string chamber orchestra.


Flutist Frederick the Great


• Sunday, June 10, 2018
at 7:00 PM
FREDERICK THE GREAT
Jefrey Cohan ~ baroque flute
Oleg TImofeyev ~ baroque lute


Slvius Leopold Weiss, the most prolific and highly esteemed lutenist of the baroque and teacher of Frederick the Great, wrote sonatas for obbligato lute and flute from which this program branches out to explore music at the court of the flutist King Frederick II of Prussia.

~
previous performances this season ~
  Annalisa Pappano
• Sunday, January 28, 2018
at 7:00 PM
TREBLE VIOL, BAROQUE GUITAR & FLUTE
Annalisa Pappano (Cincinnati) ~ treble viol
Michael Freimuth (Kiel, Germany) ~ baroque guitar
Jeffrey Cohan ~ renaissance & baroque flutes


The treble viol was widely used during the 17th and early 18th centuries but is seldom to be heard today, particularly in combination with renaissance transverse flute. Our opening performance features Annalisa Pappano from Cincinnati, one of the world's foremost players of treble viol, who also plays the pardessus de viole, lirone and viola da gamba and directs the Catacoustic Consort, and Michael Freimuth from Kiel Germany, one of Europe's most active performers on baroque guitar and theorbo. This exploration of mostly French and Italian repertoire for treble viol, baroque guitar and flute from about 1625 to 1725 will present solos, duos and trios by Buonamente, Sweelinck, Heudelinne, Lully, De Visee and Cheron.
Michael Freimuth


Mindy RosenfeldJanet See
    • Sunday, February 18, 2018 at 7:00 PM
  FLUTE TRIOS
Janet See ~ baroque flute
Mindy Rosenfeld ~ baroque flute
Jeffrey Cohan ~ baroque flute
Jonathan Oddie ~ harpsichord


Fabulous baroque flute trios with harpsichord with renowned flutists
Janet See, and Mindy Rosenfeld of the Baltimore Consort.


renaissance fluteAnna Marsh

• Thursday, March 8, 2018
at 7:00 PM
FOUR PART CANZONAS 1585-1625
Anna Marsh ~ dulcian (renaissance bassoon)
Courtney Kuroda ~  violin
Stephen Criswell ~ viola
Jeffrey Cohan ~ renaissance flute


An in-depth exploration of the rarely-heard Italian four-part canzona, inspired by four-part
French and Flemish chansons, which blossomed in print from 1582 to 1628 concurrently with increasing
activity among violin makers and players in Milan, Brescia and Cremona, and with the emerging "baroque" style.



virginals
~ updated March 24, 2018 ~
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baroque flute