VANCOUVER
ST.
MARY'S KERRISDALE
2490 West 37th Avenue
· Vancouver
·
www.stmaryskerrisdale.ca
St.
Mary's Kerrisdale
Suggested Donation:
$15, $20 to $30
(a free will offering - everyone
welcome)
•
18
and under FREE •
All
concerts at 7:00 PM
Stained
glass at St. Mary's
The
Salish
Sea Early Music Festival is proud to be
an affiliate organization of Early
Music America, which
develops, strengthens, and celebrates
early music and historically informed
performance in North America.
All
donations through EMA
are fully tax-deductible. Please be sure
to designate your gift for "EMA Affiliate
Organization" and specify that it is for
the Salish Sea Early Music Festival. Your
gift may be matched by your employer.
✣
Presented in part
✣
by
St Mary's Kerrisdale Church
|
2024
Salish Sea Early Music Festival in Vancouver
~
Period Instrument chamber music from six centuries
in Vancouver and around the Salish Sea ~
download
revised Vancouver SSEMF 2024 season flyer
~ Presented in
collaboration with St. Mary's Kerrisdale ~
✣
✣
✣ Friday,
May 10, 2024 at 7:00 PM at St.
Mary's ✣
✣
✣
RENAISSANCE
PSALMS,
IRISH
BAROQUE & FOLK
Oleg
TImofeyev
renaissance
lute, English guitar
&
7-string guitar (1820)
Jeffrey Cohan
renaissance
& baroque flutes
&
8-keyed flute (1820)
17th
Century
Nicolas
Vallet
Jacob
Van Eyck
Girolamo
Dalla Casa
18th
Century
James
Oswald
Francesco
Barsanti
Turlough
O'Carolan
19th
Century
Mauro
Giuliani
Louis
Drouet
Charles
Nicholson
This
program, in three parts, opens
with settings of Psalms and
variations on folk melodies by
early 17th-century flutist Jacob
Van Eyck, lutenist Nicolas Vallet
and others performed on renaissance
descant, tenor and bass
transverse flutes and
lute. Then, baroque flute and the
rare
but once quite popular
wire-strung English
Guitar of the 18th century is to
be heard performing the folk tunes
of Scotland and Ireland as
interpreted and varied by the
early 18th-century composers
Francesco Barsanti, Turlough
O'Carolan, James Oswald and
others. Finally, an Eastern
European 7-string guitar made in
1820 in Russia alongside an
eight-keyed flute made in London
in the same year bring to life
variations on popular tunes by
Mauro Giuliani, Louis Drouet,
Charles Nicholson and other
virtuoso flutists and guitarists
of Beethoven’s day.
|
~
Earlier concerts this season
~
✣
✣
✣ FRIDAY,
JANUARY 26 at 7 PM in VANCOUVER ✣
✣
✣
THREE
CENTURIES:
GUITAR,
THEORBO & FLUTE
Michael
Freimuth
~
renaissance guitar & theorbo ~
Jeffrey Cohan
~
renaissance & baroque flutes ~
16th
Century
Diego
Ortiz • William Byrd
Giovanni
Bassano
Girolamo
Dalla Casa
17th
Century
Giovanni
Paulo Cima
Girolamo
Frescobaldi
Giovanni
Battista Fontana
Giovanni
Battista Buonamenti
Bartolomé
de Selma y Salaverde
18th
Century
Arcangelo
Corelli
• André Chéron
Robert
de Visée
Join
us for the opening 2024 Salish Sea Early
Music Festival and an unusual and
expansive journey through the music for
guitar, lute and flute of the 16th, 17th
and 18th centuries, including elaborate
jazzed-up versions of well known songs
of the time, published by the incredible
wind instrument virtuosi of the late
16th century, along with canzonas,
sonatas and suites from Spain, Italy,
England and France. The instruments
include the renaissance guitar, which is
considerably smaller and more
mellow-toned than its modern descendant,
theorbo (an extremely long-necked lute),
the one-piece cylindrical renaissance
flute along with the bass renaissance
flute, and the one-keyed baroque flute.
|
✣
✣
✣ Monday,
February 19, 2024 at 7:00 pm in
Vancouver ✣
✣
✣
SIMPHONIE
NOUVELLE:
LOUIS
XIV & J.S. BACH
Stephen
Stubbs
~ baroque
guitar ~
Susie
Napper
~
viola da gamba ~
Jeffrey
Cohan
~
baroque flute ~
guitarists
Diego
Francesco Corbetta (1615-1681)
Robert
De Visée (c.1655-1733)
viola
da gambists
Monsieur
de Sainte Colombe (c.1640-c.1700)
Marin
Marais (1656-1728)
Jacques
Morel (c.1680-c.1740)
flutist
Michel
de la Barre (c.1675-1745)
composers
Élisabeth
Claude Jacquet de la Guerre (1665-1729)
François Couperin (1668-1733)
Johann
Sebastian Bach (1685-1750)
Louis
XIV gathered the finest musicians of France at
his court in Versailles and this program
features many of the late 17th and early
18th-century guitarists, viola da gambists,
flutists and other composers associated with his
illustrious musical establishment, alongside the
Sonata in E Minor, BWV 1034 of Johann Sebastian
Bach.
✣
✣
✣ Tuesday,
February 27, 2024 at
7:00 pm in Vancouver
✣
✣
✣
GEORG
PHILIPP TELEMANN:
PARIS QUARTETS
David
Greenberg
~
baroque
violin ~
Elisabeth
Wright
Susie
Napper
~
viola da gamba ~
Jeffrey
Cohan
~
baroque flute ~
Quadri
a violino, flauto traversiere, viola da
gamba
o violoncello, e fondamento (1730):
Concerto
II in D Major
Sonata
II in G Minor
Nouveaux
quatuors en six suites (1738):
Premier
Quatuor in D Major
4e.
Quatuor in B Minor
Having been invited by several of the
most prominent French musicians to
visit Paris, Telemann composed and
published the first set of his
remarkable "Paris Quartets" in 1730,
and left Hamburg for Paris seven years
later, where all 12 of the quartets
were performed, almost surely with
Teleman himself on the harpsichord.
The second set of quartets was
published in Paris during this visit
in 1738. Two years later Telemann
related the following:
"The admirable performances of these
quartets by Messrs Blavet (transverse
flute), Guignon (violin), the younger
Forcroy [i.e. Forqueray] (viola da
gamba) and Edouard (cello) would be
worth describing were it possible for
words to be found to do them justice.
In short, they won the attention of
the ears of the court and the town,
and procured for me in a very little
time an almost universal renown and
increased esteem."
|
(the
following concert is not at St. Mary's)
✣
✣
✣ Wednesday,
March 6, 2024 at 7:00
pm
✣
✣
✣
ITALIAN RENAISSANCE CANZONAS
at
the Westacres Music Room
23575
- 124 Avenue in Maple Ridge
Vicki
Boeckman ~ renaissance recorders
Jeffrey
Cohan ~ renaissance flute
Stephen
Creswell ~ viola
Anna
Marsh ~ renaissance bassoon (dulcian)
The
Westacres Music Room and the Salish Sea Early
Music Festival present Renaissance Italian
Canzonas with four specialists performing on
instruments of the renaissance including Vicki
Boeckman on renaissance recorders, Jeffrey
Cohan on renaissance transverse flute, Stephen
Creswell on viola and Anna Marsh on dulcian,
or renaissance bassoon.
The concert will provide an in-depth
exploration of the Italian four-part canzona
which blossomed in print from 1582 through the
early decades of the 1600’s and was inspired
by French and Flemish chansons of the early
1500’s. It will trace the development of the
canzona from 1529, when commercial music
printing was just beginning in Europe, through
1636 at which point more “modern” stylistic
forms such as the sonata began to take the
place of the canzona, which had bridged the
musical styles of the Renaissance and the
Baroque. Canzonas by Andrea and Giovanni Cima,
Giacomo Biumi, Floriano Canale, Giovanni
Buonamente, Florentino Maschera, and others
are to be included in the program along with
instrumentl renditions of the earlier French
and Flemish songs that inspired them. All will
be performed on the recorder, transverse
flute, viola and renaissance bassoon or
dulcian of the 16th century which create a
beautiful blend and provide a distinct
character to each of the four intertwining
musical lines.
✣
✣
✣ Saturday,
April 13, 2024 at 7:00 PM at St.
Mary's ✣
✣
✣
Myers">
SPRINGTIME
BAROQUE:
AIRS for SPRING
Arwen
Myers
~
soprano
~
Elisabeth
Wright
~
harpsichord
~
Jeffrey
Cohan
~
baroque
flute ~
Johann
Sebastin Bach
Seele,
deine Spätzereien
(from
the Easter Oratorio)
Louis-Nicolas
Clérambault
Orphée
(Cantata)
George
Frideric Handel
Singe,
Seele & Flammende Rose
(from
9 German Arias)
Toussaint
Bordet
Recueil
D'Airs Avec Accompagnement de Flute
(selections)
Francois Couperin
Les
Fauvétes Plaintives & La
Linote-éfarouchée
(harpsichord
solo)
~ updated April 27,
2024
~
Do you receive our email announcements and
flyers?!
Please sign our MAILING LIST (specify Vancouver)
by sending your
address and any other comments to
salishseafestival@aol.com
~ thank you!
SSEMF banner: detail
from "The Last Time it
Reached Zero" by James C.
Holl.
SSEMF presents
outstanding
early chamber
music thanks
to your support.
The
Salish
Sea Early Music Festival is
proud to be an affiliate
organization of Early Music
America, which develops,
strengthens, and celebrates
early music and historically
informed performance in North
America.
All
donations
through EMA (please see
www.earlymusicamerica.org) are
fully tax-deductible. Be sure to
designate your gift for "EMA
Affiliate Organization" and
specify that it is for the
Salish Sea Early Music Festival.
Your gift may be matched by your
employer.
|
|